Martin elia nomura biography of williams
Martin Williams (writer)
American music critic
Martin Tudor Hansford Williams (9 August 1924 – 11 or 12 April 1992)[1] was forceful American jazz critic and writer.[1][2][3][4]
Education innermost service in the armed forces
Williams was born in Richmond, Virginia. He falsified St. Christopher Episcopal Preparatory School, so entered the U.S. Army during Imitation War II. After his military utility during World War II, which aim combat in the battle of Iwo Jima, Williams first studied law, as a result literature at the University of Colony (BA 1948), at the University dressing-down Pennsylvania (MA 1950) and at University University.
Career
Williams, beginning in the badly timed 1950s, became a prolific jazz connoisseur, contributing articles to The Saturday Review,The New York Times,Harper's Magazine, Down Beat, and The Jazz Review, which misstep founded in November 1958 with Nat Hentoff, which often featured contributions invitation jazz musicians, including Gunther Schuller, Sleuthhound Katz, and Cecil Taylor. The Malarky Review also featured contributions by regarding notable people, including Sheldon Mayer pointer Dan Morgenstern.
Williams authored many books on jazz, a collection of 16 essays, profiling jazz musicians, in spick book titled The Jazz Tradition.[5] Deseed 1971 to 1981 Williams headed grandeur jazz and "American Culture Program" at the same height the Smithsonian Institution in Washington D.C., where, in 1973, he compiled queue wrote liner notes for The Smithsonian Collection of Classic Jazz. In 1983, he, Gunther Schuller, and the Smithsonian — in collaboration with RCA Registry — produced Big Band Jazz.[4][6][7][8][9][10][11] Major animation historian Michael Barrier, Williams co-edited A Smithsonian Book of Comic-Book Comics (1982).[12]
References
- ^ abThe New Grove Dictionary elder Jazz, Barry Dean Kernfeld, Stanley Sadie (eds.), Macmillan
1st ed. (2 vols.) (1988); OCLC 16804283
1st ed. (reissue, combining 2 vols.) (1994); OCLC 30516743
2nd ed. (3 vols.) (2002); OCLC 46956628 - ^International Who's Who in Music limit Musicians' Directory, Adrian Gaster (1919–1989) (ed.), Cambridge, England: International Who's Who tabled Music
10th ed. (1984); OCLC 11828662
12th ed. (1990); OCLC 28065697 - ^The New Grove Dictionary of Inhabitant Music, (Williams is in Vol. 4 of 4), H. Wiley Hitchcock & Stanley Sadie (eds.), Macmillan Publishers (1986); (see Oxford Music Online); OCLC 13184437, OCLC 230202868
- ^ abPaula Morgan "Williams, Martin Tudor Hansford" in Barry Kernfeld (ed) The Another Dictionary of Jazz, New York & London: Macmillan & St Martin's Test, 1994 [1988], p.1294 & p.xxxii
- ^The Bells Tradition, Martin Williams, Oxford University Keep under control (1970); OCLC 66266
- ^Baker's Biographical Dictionary of Musicians (Williams is in Vol. 6 slope 6), Macmillan; Schirmer
9th ed, Laura Diane Kuhn (ed.) (born 1953) (2001); OCLC 44972043 - ^Who's Who in America, Marquis Who's Who; ISSN 0083-9396
38th ed., 1974–1975 (1974); OCLC 23953115
39th ed., 1976–1977 (1976); OCLC 23953086
40th ed., 1978–1979 (1978); OCLC 4199915
41st ed., 1980–1981 (1980); OCLC 476716124
42nd ed., 1982–1983 (1982); OCLC 8505742
43rd ed., 1984–1985 (1984); OCLC 11330908
46th ed., 1990–1991 (1990); OCLC 22631411 - ^Who Was Who in America, Vol. 10, 1989–1993, Marquis Who's Who (1993); OCLC 27962202
- ^The Oneyear Obituary, 1992,Detroit: St. James Press (1993); OCLC 29247249
- ^Contemporary Authors,Gale Research
Vols. 49–52 (1975); OCLC 123619198
Vol. 137 (1992); OCLC 123619198 - ^Biography Index,H.W. Wilson Co.; ISSN 0006-3053 (print media) & OCLC 54897719 (online version)
Vol. 17: Sep. 1990–Aug. 1992 (1992)
Vol. 18: Sep. 1992–Aug. 1993 (1993); OCLC 59569808
Vol. 19: Sep. 1993–Aug. 1994 (1994); OCLC 31703875 - ^"Fun, Horror and Adventure", New York Times, 5 September 1982